All projects are currently speculative until such time as theatres re-open and producers begin taking options on new musicals. Each has a distinctive subject--not just boy-meets-girl--geographical location, historical setting and requires a specific musical interpretation which conveys these elements as well as plot, character and mood. Experience composing for real, live human voices--NOT MIDI--is preferable; familiarity with Broadway Musicals of the Golden Age (1943-1973) is desirable, as well as with Gilbert & Sullivan, Offenbach, Bollywood, etc. Sondheim imitators need not apply. Much as I admire his canon, he is sui generis (ONE OF A KIND).
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